Literary translation & editing for the Danish Pavilion, 59. Esposizione Internazionale d’Arte, La Biennale di Venezia, 2022

On Tradition – Future Ancestors 2: Rurality and Law at BACO with DAI (Dutch Art Institute). With Snejanka Mihaylova, for IF I CAN’T DANCE. Seminar on writing and translation in the work of Cristina Campo and Amelia Rosselli. March 2022

The Hide, a film by Keira Greene (title design and typography). March 2022

“Take, Eat”, F.R. David, Spring 2022 (co-editor, contributor), published by uh books and KW Institute for Contemporary Art, Berlin, 2022. ↝ Find and it at rile* & Printed Matter, Inc.

Glossator 11: Cristina Campo: translation/commentary (editor and translator, with Nicola Masciandaro), published by Open Humanities Press, New York, 2021. ↝ Find at rile*, After 8 Books, or.

“The Source is Rock, the Tongue is Severed” Word Spacing and the Alphabetisation of Silence, a 2400 lecture at Karlsruhe University of Art and Design, February 2021.

L’orso allo specchio by Simone Forti (Italian translation of The Bear in the Mirror), published by Kunstverein Publishing, Milano & Vleeshal, Middelburg, with the support of Galleria Raffaella Cortese, Milano, 2020. ↝ Find it at Soundohm, Fondazione Bonotto.

Blind Sensorium Sourcebook by Armin Linke (designed with Mevis & van Deursen), 2020.

Resistance by Lyn Hejinian (editing, with Will Holder, and afterword), published by uh books, 2019. ↝ Find it at rile*, After 8 Books.

Portraits of Places, Bibliothèque Kandinsky, Paris + Journal de l’Université d’été de la Bibliothèque Kandinsky N° 5 (essay and design, with Robert Milne), published by Centre Pompidou, 2019

Our Ladies From the Outside (column in Giornale di Sicilia for Nora Turato and Manifesta 12), 2018