Literary translation & editing for the Danish Pavilion, 59. Esposizione Internazionale d’Arte, La Biennale di Venezia, 2022

“The Source is Rock, the Tongue is Severed”, at KW Institute of Contemporary Art, Berlin. Presented on the occasion of the launch of F.R.DAVID Spring 2022 issue “Take, Eat”. With RADIANT, by Black Spirituals, selected by Will. KW Digital, April 2022

On Tradition – Future Ancestors 2: Rurality and Law at BACO with DAI (Dutch Art Institute). With Snejanka Mihaylova, for IF I CAN’T DANCE. Seminar on writing and translation in the work of Cristina Campo and Amelia Rosselli. March 2022

The Hide, a film by Keira Greene (title design and typography). March 2022

“Take, Eat”, F.R. David, Spring 2022 (co-editor, contributor), published by uh books and KW Institute for Contemporary Art, Berlin, 2022. ↝ Find and it at rile* & Printed Matter, Inc.

Glossator 11: Cristina Campo: translation/commentary (editor and translator, with Nicola Masciandaro), published by Open Humanities Press, New York, 2021. ↝ Find at rile*, After 8 Books, or.

“The Source is Rock, the Tongue is Severed” Word Spacing and the Alphabetisation of Silence, a 2400 lecture at Karlsruhe University of Art and Design, February 2021.

L’orso allo specchio by Simone Forti (Italian translation of The Bear in the Mirror), published by Kunstverein Publishing, Milano & Vleeshal, Middelburg, with the support of Galleria Raffaella Cortese, Milano, 2020. ↝ Find it at Soundohm, Fondazione Bonotto.

Blind Sensorium Sourcebook by Armin Linke (designed with Mevis & van Deursen), 2020.

Resistance by Lyn Hejinian (editing, with Will Holder, and afterword), published by uh books, 2019. ↝ Find it at rile*, After 8 Books.

Portraits of Places, Bibliothèque Kandinsky, Paris + Journal de l’Université d’été de la Bibliothèque Kandinsky N° 5 (essay and design, with Robert Milne), published by Centre Pompidou, 2019

Our Ladies From the Outside (column in Giornale di Sicilia for Nora Turato and Manifesta 12), 2018